ORAL HISTORY, FIGURATION, AND INTERPRETATION OF THE RUBBER TAPPER: AN ANALYSIS OF THE SYMBOLIC REPRESENTATION PRESENT IN THE RUBBER TAPPERS SQUARE, IN PORTO VELHO
DOI:
https://doi.org/10.51473/rcmos.v1i1.2024.465Keywords:
Oral history. Tapper. Speech analysis. Porto Velho.Abstract
The present study aims to present an analytical sketch about the interpretative and polysemic possibility of the figure of the rubber tapper. In this sense, the general objective is to analyze how the representation of the rubber tapper is transformed into symbols and historical meanings in a square in Porto Velho. The specific objectives are guided by presenting the implicit discourses of the symbolic representation constant in the rubber tappers’ square; and describe how the statue of the rubber tapper present in the square translates the history of the rubber plantation as a spatial and temporal mark of discourse and identity; The theoretical foundation will be subsidized, mainly, by Joutard (2000) and Caldas (1997), regarding Oral History. Bakhtin (2003) about text and discourse, and Nora (1993), about symbols and Memory of places. In the area of methodology, the research was developed via bibliographical research, whose nature of the texts and literature it is possible to locate the premises that meet the scope and object of the study. As a result, it can be inferred that there are a variety of possibilities for interpreting the rubber tapper square, with regard to the representative symbols marked by the rubber tapper statue. Thus, it was concluded that what has already been written about the story told via oral history of the rubber tappers still remain as a symbol of social resistance and identity of the historical character that was created throughout the period of rubber extraction in the Amazon.
Downloads
References
ALBUQUERQUE Jr, Durval Muniz de. As dobras do dizer: da (im)possibilidade da história oral. In: ______. História: a arte de inventar o passado: ensaios de teoria da história. Bauru, SP: Edusc, 2007.
BAKHTIN, M. Estética da Criação Verbal. Trad. Paulo Bezerra. 4 ed. São Paulo: Martins Fontes, 2003.
BOSI, Ecléa. “Tempos Vivos e Tempos Mortos: A Substância social da Memória - sob o signo de Benjamim (Walter Benjamim).” In: O tempo vive da memória: Ensaios de Psicologia social, por Ecléa Bossi, 16 p. São Paulo: Ateliê editorial, 2003.
BENCHIMOL, S. Depressão, Débâcle e Bancarrota, 1994. Disponível em http://www.amazonia.mdic.gov.br/public/arquivo/arq1307405272.pdf. Acesso em: 10 jan. de 2023.
CALDAS, Alberto Lins. Interpretação e Realidade. Caderno de Criação, UFRO/Dep. de História/CEI, n.º 13, ano IV, Porto Velho, setembro, 1997.
__________. Seis Ensaios de História Oral. Caderno de Criação: 37/57, UFRO/Centro de Hermenêutica do Presente, nº15, ano V, Porto Velho, junho, 1998.
COSTA SILVA, Ricardo Gilson da (Organizador). Porto Velho cultura, natureza e território / Ricardo Gilson da Costa Silva. 1ª Ed. Temática Editora; Edufro. Porto Velho / RO, 2016.
FOUCAULT, Michel. A Arqueologia do Saber. Rio de Janeiro: Forense Universitária, 2007.
JOUTARD, Philippe. Desafios à História Oral do Século XXI. História Oral: Desafios para o século XXI. Fiocruz: Rio de Janeiro, 2000.
NORA, Pierre. Entre Memória e História: a problemática dos lugares, In: Projeto História. São Paulo: PUC, n. 10, p. 07-28, dezembro de 1993.
TEIXEIRA, Marco Antônio Domingues. FONSECA, Dante Ribeiro. História Regional: Rondônia. Editora Rondoniana, Porto Velho, 1998.
Downloads
Additional Files
Published
Issue
Section
License
Copyright (c) 2024 Jurandir Brasiloto, Jefferson Gustavo dos Santos Campos (Autor/in)
This work is licensed under a Creative Commons Attribution 4.0 International License.
This work is licensed under the Creative Commons Attribution 4.0 International License (CC BY 4.0). This means you are free to:
- Share — copy and redistribute the material in any medium or format.
- Adapt — remix, transform, and build upon the material for any purpose, even commercially.
The use of this material is conditioned upon proper attribution to the original author(s), providing a link to the license, and indicating if changes were made. The license does not require permission from the author or the publisher as long as these conditions are met.
The Creative Commons license logo is displayed permanently in the footer of the journal.
The copyright of the manuscript can be retained by the authors without restrictions and can be requested at any time, even after publication in the journal.
How to Cite
