LINGUISTIC ROTATION OF PERFORMANCE AND DIALECTICS IN PERSPECTIVE
DOI:
https://doi.org/10.51473/rcmos.v1i10.2021.168Keywords:
Dialectics, Linguistic turn of the performance, Musical Imagination, Creative Process (“poiesis”), Making musicAbstract
In this article, we outline a proposal to approach the linguistic turn of performance with the method of scientific investigation or dialectical or historical-dialectical epistemological paradigm. In fact, we launch a substantive hypothesis based on possible correlations between the plans considered in the proposition of an epistemological nature. These supposed correspondences may be confirmed or invalidated in the final considerations of this work. We investigate the possible interfaces between the spheres under study through the analytical-descriptive method based on a literature review. The Musical Imagination, represented by the phenomenon of the creative impulse of the Creative Process ("poíesis"), based on Dialectics and embodied in musical improvisation verified in musical or sound making, is permeated by the sphere of the Linguistic Turn of Performance in a reciprocal, collaborative and mutual with the aim of promoting artistic-cultural action in its linguistic-communicative integrality.
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